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- JAZZ VERSION OF LUTHER VANDROSS SONGS CREEPING FULL
- JAZZ VERSION OF LUTHER VANDROSS SONGS CREEPING PROFESSIONAL
In the late ‘60s and early ‘70s, teenaged Luther was part of youth performing arts group sponsored by the Apollo Theater called Listen My Brother.
JAZZ VERSION OF LUTHER VANDROSS SONGS CREEPING PROFESSIONAL
The world was officially introduced to Luther in 1981, but he was already an established singer’s singer on the professional circuit. The New York Times once described Luther as having an “obsession with the human voice, bordering on clinical.” Some people’s gifts are leagues beyond the old talent-plus-preparation-equals-opportunity equation. He was a writer, producer, and one of the greatest vocal manipulators in the game, as well-known and sought-after from early in his career for his vocal arrangements as his singing.
JAZZ VERSION OF LUTHER VANDROSS SONGS CREEPING FULL
And while his voice is appreciated–he’s featured on every greatest vocalist list of note–the full range and depth of Luther’s vocal craftsmanship are not. Romantic and devoted love, not sex or lust. His first greatest hits compilation was titled The Best of Luther, The Best of Love because his entire catalog was love. He usually sang from a gentle, easy place. Luther sang from a softer space, topically and tonally. The difference informs the distinction between him and most other men of R&B. Luther Vandross' Estate Strikes Estimated $40 Million Partnership “I decided at that point that I wanted to do something in music.” ‘Anyone Who Has a Heart’ was a masterpiece,” he told The Washington Post.
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“She came on stage and just killed me the music was more serious, the song value was more serious. Seeing Dionne Warwick live at the Brooklyn Fox Theater made him realize he wanted to sing. Aretha Franklin, Diana Ross and Patti Labelle were the voices that fascinated and inspired a young Luther. He was called “the velvet voice” and “the Black Pavarotti,” but there’s not really a male predecessor he compares to because he didn’t pattern himself after the soul men like Sam Cooke, Marvin Gaye, or Teddy Pendergrass. was the preeminent urban pop singer the essence of ‘80s quiet storm R&B. “There are voices in this world and once they sing, it’s a stamp on everybody.” Bravo producer and personality Andy Cohen was asking Patti Labelle about her dear friend Luther Vandross on talk show Watch What Happens Live.